Flute

Flute
Flauto Traverso

During the decade of the flute occupied the place – together with the saxo soprano – of the clarinet, an instrument that was collaborating to the age of the swing, a music that had already happened fashionably. The tradition jazzistica of the instrument is relatively short: one of the first alone ones of flute registered on a jazz disc was the one that Wayman Carver executed in Sweet Sue, a recording of the band of Spike Hughes who goes back.

Chick Webb used also the flute in its band, but the instrument was not stopping being a curiosity until at the beginning of the decade of there appeared a series of musicians who managed to establish it like an instrument commonly accepted in formations and bands of jazz. Jerome Richardson was the first one in recording alone modern, and after him they arose Frank Wess y Bud Shank. The first one is a direct person in charge of the acceptance of the instrument, which only achieved after the revolution of the saxophone that Lester Young had carried out during the previous decade. Wess, like flautist, part of Young, and some of its best alone ones find in the album Opus of Jazz, with Milt Jackson, Hank Jones, Eddie Jones and Kenny Clarke. En cuanto a Bud Shank, arisen from the band of Stan Kenton, was the most important flautist of the Coast West, although towards the end of its career it left the instrument in favor of the saxo it breathe

Yusef Lateef was one of the musical poquisimos of jazz in adopting the oboe, but also it used the flute to execute a pioneering music in the use of armonias and textures orientales. Herbie Mann it was located like the most excellent of the flautists of jazz in the period that goes approximately from until, when the musician carried its most interesting recordings out before embarking in projects more comerciales. Hubert Laws stood out in the currents of meeting with the classical music (third stream), as well as in the jazz merger, while Paul Horn was an excellent flautist of jazz that passed, from from now on, to the ambience of the music new age.
The flautist Herbie Mann in a concert in Eastman Theatre, Rochester, New York.
Other out-standing flautists were Sahib Shihab, James Moody, Leo Wright, George Marge, Romeo Penque, Sam Most, Buddy Collette, Rahsaan Roland Kirk, Charles Lloyd, Joe Farrell, James Spaulding, Eric Dixon and Sam Rivers, many of them saxophonists who were using the flute as second it arrange Eric Dolphy for his part, occupies a special place in the history of the flute of jazz, moving forward in its pioneering work concepts that would be continued by multitude of later flautists, as Simeon Shterev, Jiři Stivin, Emil Mangelsdorff, Bob Downes and Chris Hinze

Between the first flautists of jazz who cultivated the skill of the “sobresoplido” (overblowing), that basically consists of blowing and singing or whispering at the same time, they were Sam Most y Sahib Shihab, although the skill was adopted by practically all the later flautists, from Rahsaan Roland Kirk up to Jeremy Steig. Flautists emphasized from the ambience of the jazz rock and jazz merger were Chris Wood, Tom Scott, Gerry Niewood, Bobby Humphrey and Barbara Thompson (acquaintance for its work with the group Colosseum), while others like Don Cherry or Hermeto Pascoal stood out for the use of flutes of other types, proceeding from different parts of the world. In the ambience of the free jazz, where it is necessary to indicate again the strong influence of Eric Dolphy, was stood out by Douglas Ewart, Henry Threadgill, Oliver Lake, Prince Lasha, Roland Snyders and – particularly – James Newton. Inside the mainstream of the modern jazz there are located George Adams, Steve Slagle, Joe Ford, Dwight Andrews, Jerry Dodgion and Lew Tabackin; and of the Japan it is necessary to indicate to Hōzan Yamamoto, who has touched the bamboo flute called shakuhachi in the field of the jazz along with singer Helen Merrill or the percusionista Masahiko Togashi. Another musician who uses this Japanese flute of bamboo, of whose construction has learned the art, John Kaizan Neptune faced to the jazz is a merger, the new age and the called world music.

Leave a Reply

Your email address will not be published. Required fields are marked *


*